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Great White

October 6, 2018 @ 8:00 pm - 11:30 pm

$39
  • Jack Russell’s Great White
  • Firehouse
  • Downtread

@The Accada Theatre
Saturday, October 6
Show = 8:00 pm
Doors = 6:30 pm
Tickets = $39 – $79

Jack Russell’s Great White

Jack Russell’s Great White represents the next phase of a legacy.

Rather than look backwards and merely attempt to relive the multi-platinum hard rock entity’s storied origins, Jack Russell set his sights on the future. In December 2011, Jack Russell’s Great White first bared its teeth. Since its inception, the frontman welcomed back longtime bassist and friend Tony Montana—this time as a guitar player and keyboardist—lead guitarist Robby Lochner, and drummer Dicki Fliszar. Now, this group has a sharp, soaring, and slick new album on the horizon for 2014 boasting the bluesy hard rock stomp that made Russell and Montana icons in the first place.

The vision became clear for the singer once Montana returned to the fold. After experimenting with a various configurations, he reconnected with his old bassist, but in a different role.

“It’s a powerful band,” Russell proclaims. “The music comes across very dynamically. It’s what I always wanted it to be. Tony was a catalyst for moving forward. I was never as close to him as I am now. We never had the opportunity to write music together before. I also never knew he played guitar. When I first heard him, I nearly fell of my chair. He’s my copilot. He’s one of my best friends. I wish we would’ve been this close back in the day.” Montana adds, “It’s natural for all of us; there’s a solid chemistry, and we’re having a lot of fun.”
Rounding out the lineup with Lochner and Fliszar, these four musicians hit the studio in late 2013 to cut what would eventually become their official full-length debut. It taps into the bluesy bombast and heavy energy of Russell’s celebrated material, but it’s a distinctly modern metallic monster.

“We want the new material to blow people’s ears back,” Russell goes on. “It has the elements of the best Great White music ever written, but there’s an edge. Tony brings that validity, while Robby and Dicki add a new life. It’s going to surprise people.”

Montana agrees, “It’s got the classic sound. The first element is Jack’s voice. No other band sounds like this one ever did or does now. When I was 17-years-old, I remember walking around the UCLA campus listening to the band’s first EP. I was a fan before I ever joined the band. We’re going to maintain that same integrity going forward.”

That integrity became forged over nearly thirty years. In 1984, the band broke out of the Los Angeles scene with its self-titled debut followed by seismic platinum-selling outings such as 1987’s Once Bitten… and 1989’s …Twice Shy. Moving over 8 million copies worldwide, they stood out as tried-and-true rock stalwarts into the 21st century until 2011, when Russell went on to form Jack Russell’s Great White.

Ultimately, the new music is for the millions of fans who stuck by Russell all these years. It’s everything they’ve been waiting for and more. “The band was always a standout from the era it came from,” says Montana. “It was never a hair band. Listen to the music, and that’s evident. Everything was based in blues. We want to add to that legacy with new material preserving those timeless elements.”

Russell leaves off, “This is fun, first and foremost. I feel like I’m 27 again. I hope it sounds like Great White—but for 2014.” (Source)

Firehouse

FireHouse has been rockin’ for over 25 years. Their music has taken them all over the world and has produced Gold, Platinum, and Multi-Platinum records in the United States and countries abroad.

In 1990, their first album, entitled FireHouse, was released. The band’s first single, “Shake & Tumble”, had impressive radio success. The band then released “Don’t Treat Me Bad”, which became their first top ten hit. This was followed by “Love of a Lifetime”, which also entered the Top Ten, reaching the #3 spot on the United States charts. This string of hits vaulted their first album to double platinum status in the United States. At the 1991 American Music Awards, FireHouse found themselves standing before the nation accepting the award for Best New Hard Rock/Metal Band, chosen over Nirvana and Alice in Chains.

The band’s second album, Hold Your Fire, was released in 1992. It produced the hits “Reach For The Sky” and “Sleeping With You”. Another top ten hit, “When I Look Into Your Eyes”, peaked on the United States charts at #6. This album earned the band platinum sales in the USA and over a million more worldwide.

In 1995, FireHouse released their third album on Epic Records, simply titled 3. Once again, FireHouse produced another Top Forty Hit in the United States with “I Live My Life for You”. It was with this album that FireHouse made their first trip to Southeast Asia for a promotional tour. Earlier American hits like “Don’t Treat Me Bad”, “Love of a Lifetime” and “When I Look into Your Eyes” had climbed the charts in Asia. “Here for You”, the second single from 3, had also become a hit. The band then continued their promotional tour in South American countries such as Brazil and Argentina.

Their fourth album, Good Acoustics, was released in 1996 and quickly went gold in Indonesia, Malaysia, Thailand, Singapore, Korea, and Philippines. Good Acoustics contains unplugged versions of the group’s greatest hits, as well as four new songs. This album produced foreign hits such as “In Your Perfect World”, “Love Don’t Care”, and “You Are My Religion”. The band returned to Southeast Asia for another promotional tour at the end of 1996. Then, in February 1997, FireHouse embarked on their first concert tour of Southeast Asia playing sold out shows for fans in Indonesia, Singapore, Thailand, and Japan. During May and June they toured the United States before returning to Southeast Asia in July for an unprecedented twenty five city sold out tour of Indonesia.

In 1998, FireHouse toured the United States on the first Rock Never Stops tour, which also included Slaughter, Warrant, Quiet Riot, and LA Guns. October of 1998 featured the Asian release of FireHouse’s fifth CD, Category 5 on Pony Canyon Records. The album quickly climbed to #4 on the Japanese charts, and supporting promotional tour of Japan followed. Category 5 was officially released in the United States in 1999.

FireHouse continued touring through the winter and spring of 1999, including 3 more sold out shows in Tokyo, Nagoya, and Osaka. On April 22, 1999, the band recorded their live show in Osaka. The result – the first ever live album by FireHouse. Bring ‘Em Out Live was released in Japan in December 1999 and in the United States on Spitfire Records in July 2000.

The turn of the century brought the release their seventh album, titled O². It has been released in Southeast Asia on Pony Canyon Records, and in the US on Spitfire Records. This album had notable success despite the changing style of popular rock music. During this time, the band decided to part ways with original bass player, Perry Richardson. O²’s remarkable bass playing was supplied by Bruce Waibel. Bruce brought to the band his phenomenal bass playing along with is equally impressive sense of humor. We truly regret to say that in September 2003 Bruce has passed away. He will be greatly missed as a friend and talented musician.

FireHouse headed back into the studio in early 2003 to write and record their 8th album, Prime Time. As music changes over time, FireHouse continues to evolve their musical style, yet at the same time hang onto their hard rock roots. Album number 8 is no exception. You can expect to hear what FireHouse is famous for, soulful, melodic hard rock.

In 2003, Allen McKenzie joined the band as bassist and background vocalist. Allen’s incredible vocal power and range coupled with his extraordinary bass playing help make FireHouse sound better than ever.

In 2007, FireHouse went back into the studio and re-recorded 10 fan favorites and band favorites, and released them on the album, Full Circle. The album FireHouse fans a unique look at how the songs have evolved over the years and taken on a life of their own.

Fans of bands come and go, but FireHouse has a unique following of core fans that cannot be compared to any other. Thanks to all of you for your many years of support and for coming out to ROCK with us on the road! We Love You All! (Source)

Downtread

Full contact rock-n-roll: Formed in 2007, Downtread specializes in aggressive riffs, titanic drums and ferociously catchy songwriting. After each glorious assault, you’ll be humming the chorus — even as you’re applying a tourniquet to your wounds.

Riding high on lofty, classic rock vibes (if you dig ‘70s and ‘80s guitar with a 21st century growl, this is definitely your cup of lava), the Minneapolis group loves to swoop down into the gutter and twist the knife a bit. It’s modern rock with a mean streak.

Downtread’s upcoming 3rd Album: “The War Behind the Wolf” – 10 tracks of fury and redemption, with topics covering today’s culture of violence, imploding relationships and at least one song about a werewolf. The band’s technical prowess has blossomed, the sound is bigger and heavier than Downtread’s first two albums, but the net effect is rawer: more dangerous, less groomed. Much like those werewolves up north.

Blazing live performers: These guys bring it onstage. Audiences eagerly feed on Downtread’s near-lethal dose of energy, whether they’re in a nightclub or seeing the band in high-profile concert dates with Halestorm, Trapt, Saliva, Whitesnake, Judas Priest, Bret Michaels, Vince Neil, Ratt, Skid Row, Dokken and Collective Soul. (Source)