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The Goddamn Gallows

April 6, 2019 @ 7:00 pm - 11:30 pm

$15
The Goddamn Gallows at Reggies - Saturday, April 6, 2019

The Goddamn Gallows, w/:

  • Scott H. Biram
  • Urban Pioneers
  • Lara hope and the Ark-Tones

@Reggies Rock Club
Saturday, April 6
7:00 pm
Ages = 17+
Ticket starting price = $15

The Goddamn Gallows

The Goddamn Gallows formed in 2004 by founding members and Lansing/Detroit natives Mikey Classic on guitar and vocals, Fishgutzzz on upright bass, and Amanda Kill on drums -replaced by current drummer Uriah Baker (aka; “Baby Genius”) in 2006. The trio started out migrating around the West for a time, holing up in Hollywood squats and squalid apartments, before releasing several albums: The Gallows EP (2004), Life of Sin (2005), and Gutterbilly Blues (2007), and finally hitting the road nearly full-time to establish their presence in the psychobilly-country scene while honing their self-described “twanged-out punk rock gutterbilly”. In 2009 the addition of Avery, a fire-breathing, accordion and washboard player, as well as Jayke Orvis (formerly of the .357 String Band) on mandolin and banjo, prompted The Goddamn Gallows to explore many new directions with their songwriting and in their live performances. As evidenced on their most recent 2009 album, Ghost of The Rails, and as witnessed by their spectacular and tireless live shows, The Goddamn Gallows began to forge a path founded on their very own brand of contagious primeval abandon: an unpretentious and from-the-gut carnivalesque smorgasbord of parts old time revival, circus sideshow, and good old-fashioned rock and roll. The result falls dead center into a head on collision between something like a Western honky-tonk impromptu parking lot rodeo, and Suburbia (the 1983 Penelope Spheeris cult classic film, not the location). (Source)

Scott H. Biram

Rock ‘n’ Roll ain’t pretty and neither is Scott H. Biram. The self proclaimed ‘Dirty Old One Man Band’ successfully, and sometimes violently, lashes together blues, hillbilly and country precariously to raucous punk and godless metal.

Biram ain’t no candy-ass singer/songwriter either, sweetly strumming songs about girls with big eyes and dusty highways. His singing, yodeling, growling, leering and brash preachin’ and hollerin’ is accompanied by sloppy riffs and licks from his ’59 Gibson guitar and pounding backbeat brought forth by his amplified left foot. The remainder of this one-man band consists of an unwieldy combination of beat-up amplifiers and old microphones strung together by a tangled mess of guitar cables.
Years of non-stop touring have honed his assault to a fine edge; his wide-eyed throw downs in the First Church of Ultimate Fanaticism routinely lead giddy followers to a fiery baptism.

Scott H. Biram won’t die. On May 11th, 2003, one month after being hit head-on by an 18-wheeler at 75 MPH, he took the stage at The Continental Club in Austin, TX in a wheel chair – I.V. still dangling from his arm. With 2 broken legs, a broken foot, a broken arm and 1 foot less of his lower intestine, Biram unleashed his trademark musical wrath.

When Scott H. Biram took the stage at his 2004 SXSW festival showcase right after Kris Kristofferson he was quoted as growling “They said that was a hard act to follow….I’m a hard act to follow motherfuckers!!” The stunned crowd looked on.

“Scott’s self described ‘dirty old one-man band’ had a captivating immediacy that big rock shows rarely reach. On stage Scott is a man possessed, spitting and snarling like a Mississippi juke-joint shouter on a moonshine bender.” – Eben Sterling, Thrasher (Source)

Urban Pioneers

Liz Sloan was born in Abilene, TX and grew up in a small west Texas town called Breckenridge. When she was three years old her mother entered her into violin training. Her first violin was a Cracker Jack Box with a ruler taped to it. She was home schooled for most of her childhood so she could focus on playing violin. She eventually got fed up with the classical world and looked for a change in the world of country and bluegrass. She joined began touring with Bob Wayne and the Outlaw Carnies in 2009 where she met Jared.

Jared was born in Pensacola and grew up in Chattanooga, TN. He grew up playing in local punk bands that never made it out of the basement. He joined the Navy in 2001 and after his time in the Navy he wanted to play music again so he bought an upright bass and taught himself how to play. He played in a lot of New England rockabilly and psychobilly bands as well as partially fronting his own band, Soul Reapin’ 3. In 2009 he decided to ‘make a go at the music thing’ and left everything behind to tour with the Hillbilly Hellcats in Europe for a month. The day he came back he got a phone call from Bob Wayne saying that he needed a bass player. That evening Jared hit the road from Connecticut and met the Carnies in Austin, TX.

Liz and Jared hit it off immediately and since then have toured and recorded with countless bands in the roots community. The Urban Pioneers are Liz and Jared’s new project where they set out to conquer the blacktop sea playing their brand of old time music that is guaranteed to get you stomping your feet! (Source)

Lara hope and the Ark-Tones

Winner of the 2017 Ameripolitan Music Award for Best Female Rockabilly Artist, and named the “Best Up-And-Coming Band” by Hudson Valley Magazine, Lara Hope and the Ark-Tones are New York’s premier roots rock n’ roll, rockabilly, rhythm & blues outfit. Born from a hybrid of Lara’s former rockabilly band The Champtones, and upright bassist Matt’s international psychobilly act, The Arkhams, The Ark-Tones hit the ground running in 2012 and haven’t slowed down since.

Lara Hope was featured on the cover of UK Rock n’ Roll magazine in March 2015, and New York’s Ulster Magazine in March 2016. The band has shared the stage with many well-known acts including Tiger Army, Gary US Bonds, America, Big Sandy, and Wayne Hancock, amongst others, and has performed at at a variety of national festivals including Viva Las Vegas, Ink n Iron, and The Nashville Boogie. The band is also known for their visually arresting videos – “Whiskey Pick” (from their debut album) and “I’m the One” were official selections in the 2014 and 2016 Woodstock Film Festival. (Source)