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May 19, 2018 @ 6:30 pm - 11:30 pm$26 – $30
- Memphis May Fire
- Five From the Gods
- Madame Mayhem
@The Forge (Joliet)
Saturday, May 19
Doors = 6:30
Show = 7:30
Tickets = $26, $30 at the door
You don’t have to change everything. However, realigning can be the healthiest remedy after nearly two decades in the music business. Going into their eleventh full-length album, Kill The Flaw [7 Bros. Records/ADA Label Services], Sevendust changed a lot around them regarding the infrastructure of their organization, but they didn’t alter what matters the most—the music. Following their first significant break (two months) since forming, the Atlanta group—Lajon Witherspoon [lead vocals], Clint Lowery [lead guitar, backing vocals], John Connolly [rhythm guitar, backing vocals], Vince Hornsby [bass], and Morgan Rose [drums]—entered their new creative hub, Architekt Studios in Butler, New Jersey, completely inspired and invigorated.
“For the first time in our careers, the avenues were swept off with all of the trash we had on them before,” admits Lajon. “We didn’t have certain people’s hands in our pockets or helicoptering the situation to what they thought it should be. We took a lot of things in our own control. As a result, it’s a new chapter for us.”
“That’s why the record is called Kill The Flaw,” explains Clint. “It’s basically about cutting off the baggage from your life and career and trimming down the excess that holds you back. We’ve had a lot of struggles with the industry. We changed everything about our business. It’s a rebirth in a sense, as far as what we want to do, how we’re going to do it, and who we’re going to it with. We’ve learned from our mistakes.”
There were a few other significant changes as well. Instead of holing up in a hotel, Lajon, Clint, and John rented a house together. The sessions became “24-hour” as the guys cooked breakfast together, hit the gym, and then locked themselves in the studio until midnight every day for five weeks. They also penned the music alongside one another in the studio, jamming everything out in the same room.
“It made everything feel like it did when we first started,” smiles Lajon. “We went in, sat down, looked at each other, picked up the instruments, and began rocking out. Recording like an actual group gave everything more substance.”
“I wanted to embrace what Sevendust is,” declares Clint. “It’s the contrast of the melodic vocal over a very percussive, heavy musical landscape. That’s what we’ve always done. That’s one of those things our fan base really connected to. They’re our life’s blood. There’s no question. We allow our fans to have more of a voice than other bands. We love putting out records that people can say, ‘This what they do. This is the type of band I want to support.’”
The first single and album opener “Thank You” upholds the pillars of their signature style with a buoyant guitar groove, bombastic drums, and soulfully striking refrain. “There’s always someone trying to keep you down,” sighs Lajon. “At the end of the day, that negativity makes you stronger. You’re still going. It says, ‘Thank you for putting me down. Thank you for making me work harder. Thank you for hating!’”
Meanwhile, “Death Dance” builds from an eerie clean guitar into a towering distorted verse that’s as robust as it is raw. Everything converges on an undeniable vocal chant during the chorus. “That’s the summer dance jam right there,” chuckles Lajon.
“It’s based around the social media era we’re in with all of its vanity and ego,” reveals Clint. “We all get caught up in it. People try to enhance their looks without putting any energy towards giving back. The dead are society staring at their iPhones. You’ve got to see the world. You can’t look at a screen for that.”
Then, there’s “Not Today,” which is equally stirring and soaring with its six-string beatdown and vulnerably vibrant vocals. “That’s another one about change,” continues Clint. “It’s us as a band basically making a choice to change who we work with and how we do what we do. It’s us addressing things that have stopped that from happening. You’re lashing out at someone and explaining how you’re going to be a different version of yourself.”
Thankfully, they’re still Sevendust through and through, and that’s what forged one of hard rock’s most diehard audiences. 2014’s acoustic offering Time Traveler’s & Bonfires saw an overwhelming response from that community, being quickly funded through a highly successful PledgeMusic campaign. Just a year prior, Black Out The Sun entered Billboard’s Top Hard Music Albums chart at #1 and landed at #18 on the Top 200. They kicked off their illustrious career with an untouchable string of three gold albums, beginning with their self-titled 1997 debut and continuing with Home in 1999 and Animosity in 2001. Along the way, they’ve sold out shows everywhere and given unforgettable performances at the likes of Rock On The Range, Woodstock, OZZfest, and Shiprocked! to name a few. However, the new chapter starts now.
“I hope people know we’re the real deal,” concludes Lajon. “That’s the most important thing. There’s substance here. That’s why everybody keeps coming back, and we’re beyond thankful for that.”
“I want everybody to walk away surprised,” Clint leaves off. “I hope it’s better than they imagined, and they get this reassurance that we’re all connected. We want to give people fresh, quality music. I hope they feel prideful they’ve stuck with us through all of these years.” — Rick Florino, July 2015
Memphis May Fire
The music of Memphis May Fire is the sound of hope and compassion, delivered by a dedicated group of men striving for something greater than the world around them. Memphis May Fire is a clarion call to those who insist on bettering themselves, their loved ones and the conditions afflicting the world. It’s not about divisive politics, it’s not about polarizing debate – it’s about the transcendent power of love through heavy rock.
The body of work Memphis May Fire has crafted over their last three albums, together with producer and collaborator Cameron Mizell (Sleeping With Sirens, The Word Alive), represents a creative achievement beyond even what the band’s formidable success would suggest. Sure, Unconditional arrived at #1 on Billboard’s Rock, Independent and Hard Music charts, but that was just the mainstream icing on a cake that was lovingly baked by fans around the world who’ve discovered Memphis May Fire in the live setting, from satellite radio, from social media and from each other.
These five guys are like family to over a million fans following Memphis May Fire on Facebook, the tens of thousands who rushed out to put this year’s Unconditional at #4 in the Billboard 200, the dedicated diehards who empty the magazine rack whenever the group graces the cover of Big Cheese, Alternative Press, Outburn, etc. and the early believers who made Challenger the highest selling debut ever for Rise Records to that point when it was released in 2012. YouTube clips like “Sleepless Nights,” “Miles Away,” “The Sinner,” and “Vices” together represent more than 20 million views.
The unity of shared purpose is palpable at a Memphis May Fire show, whether songs like “No Ordinary Love,” “Beneath the Skin” or “Losing Sight” are blasting from the Warped Tour’s main stage or emanating from the speakers at one of the packed clubs the band makes their nightly home. Cares cast aside, problems pushed to the forefront, the visceral connection between artist and audience is alive and audible with each sing-a-long chant. Melodic mood swingers like “Speechless” and “Need to Be” demonstrate the full capacity and scope of what Memphis May Fire is capable of doing, winning them spots on major radio festivals like Welcome to Rockville and Carolina Rebellion as their heavier side secures fests such as Download and With Full Force.
An organic and incremental growth has propelled Memphis May Fire ever since they followed their underground 2009 debut album with 2011’s The Hollow, a modern metalcore masterpiece that led into the broadened musical horizons of their commercial breakthrough, Challenger, and the 2014 Album of the Year contender Unconditional.
Plenty of Memphis May Fire’s contemporaries have fans that profess their adoration, gratitude & even spiritual connection to the power of music, but few groups embrace the full responsibility inherent within those reactions the way Memphis May Fire has, acknowledging that something bigger than rock n’ roll has taken hold. Make no mistake, Memphis May Fire deliver hard rock anthems steeped in modern subculture and the best of radio rock, but their purpose continues to evolve into something greatly bigger than themselves, with no limit as to what they can achieve.
Fire From the Gods
Heavy music deserves a heavier message.
That’s what Fire From The Gods deliver on their Rise Records debut, Narrative.
Speaking from a platform cast in heavy metal power, hip-hop consciousness, and even a little reggae spirit, the Austin, TX quintet—AJ Channer [vocals], Jameson Teat [guitar], Drew Walker [guitar], Bonner Baker [bass], and Richard Wicander [drums]—urge for change through conveying a story that’s both personal and universal.
That story stems directly from AJ’s life. Born in the Bronx to a single mother of Jamaican descent, he spent his childhood moving between London, New York City, Los Angeles, Norfolk, and even Ghana where he attended middle school. Drawing from this diverse experience, he speaks with unmitigated honesty about the state of the world.
Manhattan-born singer-songwriter, Madame Mayhem™, is a true rocker with an eclectic style in every aspect of life. With her ‘in your face’ attitude, Mayhem is definitely the right word to describe this extreme artist.
She began to take the music scene by storm when she was featured on Clear Channel’s iHeartRadio New Discovered and Uncovered Artist chart, before opening for Buckcherry’s Live Nation tour at The Sands Casino. She has already begun to create buzz in North America and internationally.
She has performed across the nation to packed rooms, including The Roxy, The Viper Room, Bowery Ballroom, Knitting Factory, a residency at The Cutting Room, the Bluebird Café during Grammy nomination week, has headlined the VH1’s “THAT METAL SHOW” annual Christmas Party, performed on Shiprocked Cruise 2017, scheduled to perform at Sunfest 2017, and has recently performed on national tours with renowned and respected metal artists such as Doro and Mushroomhead. Her fan base to date is over 160 thousand strong, and growing rapidly.
Madame Mayhem has been covered in both fashion and rock music media that includes feature coverage in Aquarian Weekly, Brave Words, Fashion Style, Gannett, Guitar World, KNAC, Loudwire (the videos have been top 10 for multiple weeks), New Noise, Revolver, The Day In Rock, listed in ROCKwell UnScene Magazine’s top 5 Best Female Vocalists of 2016, and more. Internationally, the European rock press is already feeling Madame Mayhem’s presence in publications including Sweden Rock Magazine, Aardschok Magazine, Rock Hard Magazine France, and Metal Hammer Magazine Spain.
Madame Mayhem made most added on the CMJ Loud Radio Charts with over 60 stations nationally. Madame Mayhem has just completed new music that with hard rock roots and melodies that show off her vocal range, Mayhem is excited to bring these new songs to the masses.
Madame Mayhem has collaborated with notable rock talents including Billy Sheehan (Mr. Big, Winery Dogs), Ray Luzier (KoRn, KXM), Ron “Bumblefoot” Thal (ex: Guns N’ Roses), Russ Parrish (“Satchel” from Steel Panther), Grammy winner Mark Hudson, Earl Slick (David Bowie, John Lennon), Rudy Sarzo (Ozzy Osbourne, Quiet Riot, Whitesnake, Dio), John Moyer (Disturbed), Corey Lowery (Saint Asonia), Clint Lowery (Sevendust) and more.
Madame Mayhem’s endorsements include Samson, ACS Custom, Xkey, CME, Wornstar, Ultimate Support and TC-Helicon.
Let the Mayhem continue!
- May 19, 2018
6:30 pm - 11:30 pm
- $26 – $30
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- Chicago concerts, Chicago concerts in 2018, Chicago shows, Chicago Shows in 2018, Concerts, concerts in 2018, Five From the Gods, forge, Heavy Metal, Madame Mayhem, Memphis May Fire, metal, Sevendust, shows at the Forge, The Forge, the forge in joliet, the forge shows
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