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The Misfits

April 27, 2019 @ 7:30 pm - 11:30 pm


The Original Misfits, w/:

  • Fear
  • Venom Inc.
  • Power Trip

@Allstate Arena
Saturday, April 27, 2019
Show = 7:30 pm
Tickets =
(Parking = $15-$25)

The Misfits

The MisfitsFrom hell they came…30 years ago in a small town in New Jersey called Lodi. It was there, at the dawn of the punk movement in April 1977, that the Misfits were born. Taking for their name the title of Marilyn Monroe’s final movie, they set out to make an impression. They wound up making history and creating a legacy that has truly withstood the test of time. Today, boasting a massive catalog of music old and new, a new lineup and an influence felt around the world, the Misfits are generating more interest than ever before.

From its inception, the Misfits were primal. Their music was aggressive, confrontational and dangerous with violent lyrics as seen through the eyes of a monster, coupled with timeless vocal melodies bred from 1950’s rock and roll. Immortalizing black and white B horror films in their music, the Misfits developed a ghoulish and totally unique persona; from their hand made musical weapons to the stiletto hairstyle they called the “devil lock.” It was the early days of punk and they had created a rebellion all their own.

Over thirty years on, the Misfits have endured hardcore’s heyday as punk rock’s monster squad, a band whose cult following – a pseudo-secret coven known as the Fiend Club – inspired them to continue to write, record and tour. These “Fiends” (as their fans are known), which are still multiplying globally, go back now several generations and also includes many artists. In fact, bands across the spectrum of rock have offered their tribute by covering the band’s material, including Guns ‘n Roses, with the classic Misfits song “Attitude;” My Chemical Romance who revisited the classic “Astro Zombies” for the soundtrack to “Tony Hawk’s American Wasteland” video game, and Metallica who covered no less than three Misfits songs on their double CD set “Garage Days Revisited,” while hailing the band as a key influence on their music. A tribute album entitled VIOLENT WORLD featured the likes of Prong, NOFX and Sick of It All.

The iconic “Fiend Skull,” (the official symbol of the group), which was once crudely painted on their equipment, leather jackets and everything they could get their hands on, has since become a staple in pop culture, and an instantly recognizable symbol worldwide. Highly collectible and sought after, Misfits memorabilia has appeared in films and on television and continues to be worn publicly by actors, musicians and athletes who acknowledge the band’s cool factor. Asked why this hunger for all things Misfits endured, Jerry Only ventures “I think we created a niche. We stuck to what we did, and we did it well. We never tried to pull something over on people – we just tried to entertain ’em while rocking ’em real hard. Besides, I think the love of the horror art form has endured.” The impact of the Misfits and their music on pop culture has become a phenomenon in and of itself.

After a split with former singer Glenn Danzig in the mid 1980’s, and a decade-long legal battle, The Misfits was resurrected by founding member Jerry Only, returning stronger than ever with their first album of new material, “American Psycho”. Released in 1997 on Geffen Records and debuting at #117 on Billboard’s Top 200, the CD reestablished the Misfits as one of the most aggressive and still relevant outfits in modern rock history. “It was great making a new record and getting back in touch with our fans,” says Only. “Sticking to our punk roots, the longest song on the album is three minutes and nine cuts are under two. We still had the classic backup vocals, the ’50s sounding chord progressions, the different beats, but the sound of our instrumentation was way better than what was possible when we started out.”

Thematically, the band’s music continued to focus on their time-honored fascination with vampires, monsters, and alien invasion. “We are the Misfits after all,” warns Only about the band’s refusal to address worldly issues, he explains, “fiends who buy our records and come to see us perform enter another world – from the guy all the way back in the balcony, to the guy getting his head banged around in the front – they come to have a good time. And we make sure they have it. They can hear about social and political issues somewhere else.”

Today, The Misfits remain more aggressive, more topical and more sought after than ever before, fronted by Jerry Only (Bass/Vocals) with Dez Cadena on guitar, (celebrating his 10th anniversary in the band as of 2011), with the latest addition to the fiendish fold; drummer Eric “Chupacabra” Arce behind the kit. Arce, or “Chupacabra” as he’s now known, has been a fixture in the ‘Fits touring lineup for over a decade, and recently inducted a permanent member upon the retirement of original Misfits drummer Robo, who’d passed the torch in 2010.

Now, the ‘Fits return with their first full-length release of all-new, original material in nearly a decade! Rooted in the horror and sci-fi themes their audience craves, “THE DEVIL’S RAIN” showcases 16 fiendish, soon-to-be Misfits classics including “Twilight of the Dead”, “Dark Shadows”, “Curse of the Mummy’s Hand” and the title track “The Devil’s Rain”. Produced by Ed Stasium, (who’s credits include the Ramones’ “Road to Ruin” and “Too Tough to Die”, as well as the Misfits’ 1999 release “Famous Monsters”), the album showcases a jaw-dropping, two-panel front/back cover painting featuring the rebirth of the band’s iconic “Fiend” mascot in an epic setting rendered by Arthur Suydam (known for his immensely popular work on the Marvel Zombies series, among others).

The packaging, designed to emulate a CD sized gatefold LP, also features some incredible new Misfits portraits shot by the legendary Mick Rock. Rock’s imagery has become part of the very fabric of rock ‘n’ roll. Having also served as an on-set photographer for cult-movie classic “The Rocky Horror Picture Show”, Rock lends a perfectly suited eye to view the band’s surrealistic and highly theatrical persona. “The Devil’s Rain” is not just a continuation of a historic legacy, it’s a total reboot ushering in a new era of terror. In a sense, it’s the debut album from the legendary Misfits of this decade. From fans of their classics, to newcomers discovering the band for the very first time, “The Devil’s Rain” sets the bar, and redefines the ferocity and melody that has made the Misfits omnipresent and immortal.

The band continues to sell out shows and draw thousands of fans night after night around the globe. “When fans come to a Misfits show, they get a band who gets up there and gives them all  hey’ve got,” says Only. “We give them the real thing – that’s how we’ve always done it. At a show, everyone’s just part of the band, there’s no them and us – we’re all us.”

It is this inclusive approach and attitude of dedication and devotion to fans that have kept the group alive. Aside from an inventive approach to music and its intense and extraordinary visual presentation, the Misfits’ all-encompassing and fierce DIY mentality continues to drive their efforts. From their compound in the far reaches of North Jersey, which includes a family owned machine shop and appropriately enough a knife factory, they craft their own instruments – from their guitars, amps and drums – down to the studded leather straps and even their spiked leather jackets. Creativity rules as they design and construct their own elaborate stage sets and wide array of infamous props.

The Misfits have been preserved on determination bound by unequaled loyalty to their fiends and the sheer will to survive. “Its been over 30 years and 30 years from now, people will still be playing our albums because we will never water down what we do,” Only says. “Our goal is to keep perspective on who we are and always stay true to ourselves. The new album will only reinforce how potent the band has become with time. We plan to continue as always, to eclipse the past, block the sun and drag humanity by the throat into a world of darkness filled with ghouls, goblins and creatures of the night, where we are king.”

One thing is certain, The Misfits are here to stay and once again, every day is Halloween. (Source)



Currently residing in Philadelphia, PA, FEAR is an American punk rock band that was originally from Los Angeles, California, formed in 1977. The present (remaining?) member of the band is Lee Ving. (Source)

Venom Inc.

Venom Inc.“We tried to shape »Avé« so that it comes at you dark, then it gets bright and heavy and just keeps growing into some kind of monster.” -Tony “Demolition Man” Dolan
The name VENOM is both loved and loathed in the metal world, but regardless of your take on the band they are known first and foremost as the pioneers of extreme metal as we know it. Almost 40 years after their inception, the revitalized 1989 – 1992 line-up of guitarist Jeff “Mantas” Dunn, vocalist/bassist Tony “Demolition Man” Dolan and drummer Anthony “Abaddon” Bray have returned with a monster of an album, »Avé«. It’s a reunion that was unexpected at the outset – even by the band members themselves – but the end result after getting their collective legs backis an album that true VENOM fans will gladly add to the top of their playlists.

VENOM INC. was born on April 24th, 2015 at the annual Keep It True Festival in Lauda-Königshofen, Germany. Mantas and Dolan were focused on M:PIRE OF EVIL, having invested years’ worth of blood, sweat and tears in recording and touring to keep the band alive. An offer to play Keep It True was accompanied by a request to have Abaddon – who would be in attendance – to join the band during the set to perform some VENOM classics as a treat for the fans. Mantas and Abaddon hadn’t spoken in almost two decades, leaving Dolan to try and make the epic reunion a reality.

Dolan: “I called Abaddon about it and he said ‘yes.’ I asked Mantas and he said ‘fuck off’ (laughs). The one thing he said was that Abaddon’s style isn’t M:PIRE OF EVIL’s style, so how could it possibly work? I pointed out that if we played the old VENOM songs we’d be playing to Abaddon’s style anyway, as they were meant to be played; noisy and loud and dirty. It was something that was meant to be done in fun, and eventually Mantas agreed to it. We played our set, finished off with ‘Countess Bathory’, and everyone went nuts. We went off stage, came back on with Abaddon and played four or five VENOM songs under the VENOM INC. name and the place went crazy.”

“The whole reason we call it VENOM INC. is so that people realize we aren’t just VENOM II or anything like that,” says Dolan. “We’re incorporating everything we do in our music including our VENOM history, and that’s the idea behind the band.” (Source)